The Marrakech Museum for Photography and Visual Arts

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Odedra

Jaimal Odedra. “My Morocco, My India”

NOVEMBER 1 — 30, 2015 Opening on November 5, 7:30pm – 9:00pm at Sofitel Marrakech At Sofitel Marrakech As part of Marrakech Before Paris Event Images by photographer Jaimal Odedra capture impressions of India and Morocco, where his experiences as an artist and traveller relate

Mounir Fatmi - The Beautiful Language-The Blindfold

Traces of The Future

A Collective Exhibition of Contemporary Moroccan artists from 1 May to 30 September 2015. Opening May 2, 2015, from 19 am to 21 pm. The exhibition “Traces of the Future brings together seven artists: Leila Alaoui, Younes Baba-Ali, Amina Benbouchta, Mounir Fatmi Ahmed Hajoubi, Jamila

Mounir Fatmi - The Beautiful Language-The Blindfold

Traces of the Future, May 1 to Sept. 30, 2015

A Collective Exhibition of Contemporary Moroccan artists from 1 May to 30 September 2015. Opening May 2, 2015, from 19 am to 21 pm. The exhibition “Traces of the Future brings together seven artists: Leila Alaoui, Younes Baba-Ali, Amina Benbouchta, Mounir Fatmi Ahmed Hajoubi, Jamila

Leila Alaoui / Crossings

Crossings, May 1 to Sept. 30, 2015

VIDEO INSTALLATION BY LEILA ALAOUI Duration: 6’55 Country: Morocco Year: 2013 Languages: French & English Subtitles: French & English Crossings explores the experience of sub-Saharan migrants who embark on the perilous journey to reach the elusive shores of Europe. The three-screen video installation focuses on

Mounir Fatmi

History Is Not Mine, May 1 to Sept. 30, 2015

BY MOUNIR FATMI Video installation, 2013. 5 min, HD, colour, stereo. Video History is Not Mine is Mounir Fatmi’s direct response to the withdrawal of his piece Technologia from the Printemps de Septembre in Toulouse (2012), which was entitled “History is mine”. This black and

Virginie Terrasse_web

On Documentary Photography

By VIRGINIE TERASSE ESAV / May 14, 2015 / 6:30 pm In partnership with Le 18 and Esav Freelance photographer and educator Virginie Terrasse, will give a conference on the challenges of documentary, and on how it differs from the photo report, in a context